Monday, October 21, 2019
Illocutionary Acts in Speech-Act Theory
Illocutionary Acts in Speech-Act Theory In speech-act theory, the term illocutionary act refers to the use of a sentenceà to express an attitude with a certain function or force, called anà illocutionary force, which differs from locutionary acts in that they carry a certain urgency and appeal to the meaning and direction of the speaker.à Although illocutionary acts are commonly made explicit by the use of performative verbsà like promise or request, they can often be vague as in someone saying Ill be there, wherein the audience cannot ascertain whether the speaker has made a promise or not. In addition, as Daniel R. Boisvert observes in Expressivism, Nondeclarative, and Success-Conditional Semantics that we can use sentences to warn, congratulate, complain, predict, command, apologize, inquire, explain, describe, request, bet, marry, and adjourn, to list just a few specific kinds of illocutionary act. The termsà illocutionary actà andà illocutionary forceà were introduced by British linguistic philosopher Johnà Austin in 1962s How to Do Things With Words, and for some scholars, the term illocutionary actà is virtually synonymous with speech act. Locutionary, Illocutionary, and Perlocutionary Acts Acts of speech can be broken down into three categories: locutionary, illocutionary, and perlocutionary acts. In each of these, too, the acts can either be direct or indirect, which quantify how effective they are at conveying the speakers message to its intended audience. According to Susana Nuccetelli and Gary Seays Philosophy of Language: The Central Topics, locutionary acts are the mere act of producing some linguistic sounds or marks with a certain meaning and reference, but these are the least effective means of describing the acts, merely an umbrella term for the other two which can occur simultaneously. Speech acts can therefore further be broken down into illocutionary and perlocutionary wherein the illocutionary act carries a directive for the audience, such as promising, ordering, apologizing and thanking. Perlocutionary acts, on the other hand, bring about consequences to the audiences such as saying I will not be your friend. In this instance, the impending loss of friendship is an illocutionary act while the effect of frightening the friend into compliance is a perlocutionary act. Relationship Between Speaker and Listener Because perlocutionary and illocutionary acts depend on the audiences reaction to a given speech, the relationship between speaker and listener is important to understand in the context of such acts of speech. Etsuko Oishi wrote in Apologies, that the importance of the speakers intention in performing an illocutionary act is unquestionable, but, in communication, the utterance becomes an illocutionary act only when the hearer takes the utterance as such. By this, Oishi means that although the speakers act may always be an illocutionary one, the listener can choose to not interpret that way, therefore redefining the cognitive configuration of their shared outer world. Given this observation, the old adage know your audience becomes especially relevant in understanding discourse theory, and indeed in composing a good speech or speaking well in general. In order for the illocutionary act to be effective, the speaker must use language which his or her audience will understand as intended.
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